Writer: Ronald Wong
The “art for art’s sake” mantra is well known, and perhaps passé (it was born in the 19th century). But is it extinct? Or does its ghost haunt us from its grave, even while we go about today thinking we are working on a “modern” edifice of art which has more meaningful purpose? Must we constantly re-examine the purpose of art, or more specifically, our art? Here, reflecting on a few questions I was recently faced with again, I do not seek to propound answers, although I may have my own opinions on the above thoughts—rather, I hope to pose questions which are beneficial and not antagonistic to helping persons such as myself to locate our bearings as followers of Christ.
One actor at a workshop I attended recently said that he was attracted to his form of applied theatre because he felt that most other practitioners in the industry are self-centred, whereas fellow practitioners in this form of applied theatre are more others-centred and “giving”. Must artists be self- or others- centred? Must art be that way?
This question brings to my mind how I was recently led onto a guilt trip. Having been burdened lately by the pressing need for social justice in the local and global community, I have been researching and praying about various areas of needs in our community. I rejoiced when I read about self-sacrificial missions that dedicate time and resources to serving the poor and oppressed. I commiserated when I read about the plight of the latter. Then I wondered, what is the artist’s role in this picture?
Is art useless in this mission? Can it and does it seek to entertain the oppressed? Is its role only to communicate about their plight? Can it and should it advocate socio-political change to address needs? Might it be able to serve a healing purpose? What if the things to be healed are health and nutrition? Is art any good? Or is art’s role confined to being merely a vehicle for the oppressed to express themselves? If so, does it make the art self-centred yet again, since the focus is on the artist’s expression or catharsis?
Another question that I have been grappling with is whether the otherness or selfishness about art lies in its substantive content, or in its form. Is classical theatre selfish because it is only telling someone else’s story, as opposed to playback theatre, which tells an audience member’s story? Is drama therapy others-centred or self-centred by virtue of its form? Is it others-centred because it lacks any fixed substantive content? Is it self-centred because the form is filled by the participant’s subjective content?
Is self-centredness and others-centredness even a worthy distinction? Are those virtues or flaws in themselves? Do these characteristics even guide us to any normative purpose, or theory of the good, which we should strive towards?
The tribal missions video Eetaow[1], produced by New Tribes Mission, documents the story of how the Mouk tribe in Paupau New Guinea was ministered to by an NTM missionary. After the tribe accepted Christ, they were inspired to go on their own preaching mission to neighbouring tribes (who were actually previously warring tribes). What I find significant about this is how this rudimentary tribe ingeniously made use of their limited resources to incorporate the gospel into drama, re-enacting the Biblical narrative as taught to them by the missionary. At the end of the preaching mission (which probably lasted for an entire year), the receiving tribe too accepted Christ and broke out into spontaneous rejoicing for hours, just as the Mouk tribe had done earlier. (I attach below two snapshots from the video that I have on hand.)
What if, hypothetically, the substance of their dramatic teaching was about conspiring to subvert the Papua New Guinea government? What if the content of their “folk art form” was to revive cannibalism (which the tribes have been practising until only recently)?
A sceptical non-Christian might ask: How does the use of “rudimentary” drama, and the subsequent/consequent conversion of these tribes, address their physical needs? Where is the economic development? Yet, are economic development and physical needs everything? Further, do these tribes need economic development?
In other corners of the world, there is extreme poverty, sickness, forced labour, slavery, sex trafficking, illegal property seizure, illegal detention, police brutality, sexual violence, and religious persecution. Can art help the oppressed from these? Should art help the oppressed from these?
Critics of the “integral mission” movement say that the movement has lost its focus in emphasising social justice, forsaking evangelization which should be paramount. That is a sad strawman argument—integral mission is nothing unique; it is but a description of what Jesus himself did in His ministry—preaching, teaching, proclaiming, rebuking, serving, feeding, healing, caring, commiserating, praying, exemplifying, modelling simultaneously. But where does art fit in?
Perhaps all these questions and thoughts have been predicated on false assumptions and false dichotomies. Perhaps it is false to dichotomise the person of the artist into the person qua artist and the person qua human. Perhaps it is false to dichotomise what the artist does into artistic endeavours and non-artistic endeavours. Perhaps the self-centred versus others-centred dichotomy is misconceived; it is merely a question of giving or receiving, and neither is any more right or wrong. Perhaps the dichotomy between substance and form is non-beneficial to achieving the end goal. And perhaps it is pointless to distinguish the various “utilities” and “functions” of art, but rather, we should be distinguishing the normative end goal.
Just as integral mission seeks to erase the false dichotomy between evangelization per se and social justice per se, perhaps an integral following of Christ requires us to rethink labels, forms, boundaries, modes and means, and focus instead on the end goal.
In Mark 8:34, Jesus said, “Whoever wants to be My disciple must deny themselves and take up their cross and follow Me.” The word “follow” is translated from the Greek word akoloutheo which could mean “1” in the sense “as a particle of union” or keleuthos which means “to be in the same way with, i.e. accompany as a disciple”. The absolute command is clear. If we are to be followers of Christ, we must be in union with Him, and walk in the same way as He did on earth. And in the same way that Jesus was not just a teacher, or aid worker, or prophet, or minister, it would do well for us to remember that we are not just an artist, or any particular vocation for that matter. It would also do well for us to acknowledge that art per se is not the only, nor sufficient way. But as to how art, or at least our art, fits into the grander scheme of things, that is perhaps for us to find out or follow.
[1] See <http://www.ntmbooks.com/>; and a link to the video online: <http://video.google.com/videoplay?docid=-5355408420145402636#>.


